Figuring out where you are in life and trying to make shit work for yourself-it gets to you.
During the sessions Rexha stated that she "was in a really dark place, a dark head space. In November 2012, singer Bebe Rexha was at Stadium Red studio in Harlem, New York working on material to be included in her debut album. In November 2012, Eminem and Rihanna collaborated again on " Numb", which was included on Rihanna's seventh album Unapologetic. The same year, a sequel to the single, titled " Love the Way You Lie (Part II)" was released as part of Rihanna's fifth studio album Loud it mainly views matters from the female protagonist perspective. By the end of the year, 854,000 copies of the song were sold in the UK, making "Love the Way You Lie" the country's biggest-selling song of 2010. The song received both critical and commercial success and topped the US Billboard Hot 100 chart for seven consecutive weeks. In 2010, Eminem and Rihanna released their first official collaboration titled " Love the Way You Lie". The chorus was later used for "The Monster" The song, "Monster Under My Bed," written by Bebe Rexha, was originally intended to be used on her own debut album.
#2013 eminem songs movie
Eminem and Rihanna performed the song live at the 2014 MTV Movie Awards.
The video was well received and was nominated for several awards.
The video depicts Rihanna as Eminem's therapist in a session, as previous videos from his career are shown and referenced including " Mockingbird", " My Name Is", " Lose Yourself", " 3 a.m.", " The Way I Am" and the 2001 Grammy Awards performance of " Stan" with Elton John. The song's accompanying music video was directed by the American filmmaker Rich Lee. It also marks Eminem's first number one on the US Hot R&B/Hip-Hop Songs chart and has reached the top ten in Austria, Belgium, Italy and Spain. "The Monster" has successfully charted worldwide, topping the charts in twelve countries including Australia, Canada, France, Ireland, New Zealand, Switzerland, the United Kingdom and the United States' Billboard Hot 100. Upon release, the song was met with positive reviews from music critics, who compared the song to "Love the Way You Lie". It is a hip-hop and pop song, with lyrics that describe Eminem pondering the negative effects of his fame while Rihanna comes to grips with her inner demons. "The Monster" was released on October 29, 2013, as the fourth single from the album. "The Monster" marks the fourth collaboration between Eminem and Rihanna, following " Love the Way You Lie" (2010), its sequel " Love the Way You Lie (Part II)" (2010), and " Numb" (2012). The song was written by Eminem, Bebe Rexha, Jon Bellion, and AKS from Prosper, with production handled by Frequency. But It’s OK, with its whimsical nighttime funk and passionate ad-libs from best pal Proof, yields the album’s most inspired rapping, as a contemplative Em unusually addresses seeking God." The Monster" is a song from American rapper Eminem's album The Marshall Mathers LP 2 (2013) featuring a guest appearance from Barbadian singer Rihanna. Infinite, Eminem’s forgotten 1996 debut, spends a lot of time trying to replicate Kool G Rap’s multi-syllabic flow over sounds that sound like cheap rip-offs from Nas’s Illmatic. This is one of those rare museum exhibits that doesn’t bore you to tears, with Em providing a nostalgic serotonin boost to his followers following a pair of performances.
But, after years of mediocre albums dominated by turgid stadium pop, it was refreshing to hear Eminem seem so enthused once more - he makes a believable Victor Meldrew.Įminem rips over the thunderous boom-bap of Black Moon’s famous street-corner thriller, I Got Cha Opin, on this neglected B-side. Em is just an irate elderly man ranting at a (Sound)cloud, mocking the purported tropes of mumble rap. The Ringer is music from a veteran dissatisfied with the direction rap is taking, similar to Jay-Z’s similarly misguided DOA (Death of Autotune).
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Critics panned the frightening accent, which sounded like a cross between Borat and the Simpsons’ Groundskeeper Willie, but Em got a much-needed dose of escapism by playing such a ridiculous parody of a serial murderer at a time when his personal life was starting to disintegrate. Some have derided this as meaningless “rappity rap,” but the fact that a 41-year-old still cares about his craft merits our admiration.ĭespite Marshall Mathers’ frequent criticisms of 2009’s Relapse in interviews, the album, which is a nightmarish homage to horrorcore rap, has aged nicely – especially this chilling narrative of a stalker who lynches Lindsay Lohan. Eminem shows off all of the cadences he’s learned over the years, channeling flows from influences like Tech N9ne and Big Pun like an exorcist summoning ghosts and moving through 1,560 syllables in only six minutes.
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